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"Pissanthropist"[Chris Rehm]
Someone who pisses liquid gold into a good cause. Not to be confused with "shitanthrobrick", someone who shits bricks of gold for the same purpose. The shitanthrobrick sometimes takes a laxative, in which case the receiver must "pan for gold" bouillon.

In Shitanthrobricks cases, with or without the laxative, the receiver is required to handle the "clean up detail". This includes the disbursement of toilet paper and the actual "ass wipe", in order to attain said rewards. In the event that Shitanthrobrick does take the laxative, a substantially increased amount of "ass wiping" is required, much to the chagrin and consternation of the recipient. This is in addition to the actual "panning process", which also can be tedious and quite aromatic.

With Pissanthropist and Shitanthrobricks often the reason for the donations is a tax write-off. Shitanthrobricks are more prone to get involved in the investment procedure than Pissanthropist. When the investment is not going quite as hoped for, the Shitanthropist ingests laxatives.

In the event that Pissanthropist ends up in the same situation, he usually directs his stream at his recipient. This process is referred to as "Pissed on". [Chris Rehm]

Napster Appeals - What People Are Missing
[McClure & Trowbridge Publishing]
SAN FRANCISCO (AP) - Napster Inc. must halt the sharing of copyrighted recordings by millions of music lovers who swap songs through its free Internet-based service, a federal appeals court ruled Monday . . .

The digital music technology Napster made popular is here to stay either way. The recording industry appears stymied by the notion of funneling music to consumers via the Internet for a price while freely available computer applications allow even the computer novice to do it for free. More » » »

The Threat To 'Little Guy' Internet Earnings [McClure & Trowbridge Publishing]
Probably you know that your BMI, ASCAP, or SESAC membership as a songwriter does not guarantee your song is paid royalties when it's recorded and released. Why is this?

BMI and ASCAP carved up the money pot a long time ago. These organizations collect airplay (radio) and performance (TV, clubs, arenas, festivals) royalty payments from radio stations and venues. The monies are paid out to songwriters and publishers of the songs.

The only problem is, only the top charting songs and writers are paid any royalties. More » » »

Greatest Threat To Freedom Of Speech Since Hitler Robert Pullman, CEO Pullman Inc.
[McClure & Trowbridge Publishing]
"What we have here, is a situation that is the greatest threat to freedom of speech in this country since Hitler. This situation began with the Dig Mill [Digital Millenium] Act....take a gander through the act and read it carefully.

You will find that it violates freedom of expression, freedom of movement, and freedom of speech." More » » »

Napster and RIAA Court Update [McClure & Trowbridge Publishing]
Most people are still failing to compare the Napster vs. RIAA issue to the cassette duplication battles of the 1970's when RIAA feared loss of revenue by private copying and sharing of music in cassette format.

The digital format today is in a similar position to cassettes two and three decades ago More » » »

[McClure & Trowbridge Publishing]

RIAA to Enter $400 Million Music Licensing Business by Mark Lewis [Webnoize] See Also
Expanding far beyond its role as a powerful lobbying group, the Recording Industry Association of America (RIAA) is making a major move to enter the music licensing business, potentially collecting and distributing more money than performing rights groups Broadcast Music, Inc. (BMI) and the American Society of Composers, Authors and Publishers (ASCAP) combined.

Songwriters and publishers already have the right to collect royalties on webcast music; federal legislation in the '90s extended that right to record companies that hold the copyrights to the sound recordings.

However, it is a little known legal fact that the RIAA does not have an exclusive right to control royalty distribution for those performances. And critics are concerned that there will not be sufficient oversight over the RIAA's activities, and that record companies may not pay artists their cut of webcasting royalties. More » » »


Schizophrenia --- Do You Hear What I Hear?

Multiple Personality Disorder --- We Three Queens Disoriented Are

Amnesia --- I Don't Know if I'll be Home for Christmas

Narcissistic --- Hark the Herald Angels Sing About Me

Manic --- Deck the Halls and Walls and House and Lawn and Streets and Stores 
and Office and Town and Cars and Buses and Trucks and Trees and Fire 
Hydrants and ..

Paranoid --- Santa Claus is Coming to Get Me

Borderline Personality Disorder --- Thoughts of Roasting on an Open Fire

Personality Disorder-- You Better Watch Out, I'm Gonna Cry, I'm Gonna Pout, 
Maybe I'll tell You Why

Obsessive Compulsive Disorder ---Jingle Bells, Jingle Bells, Jingle Bells, 
Jingle Bells, Jingle Bells, Jingle Bells, Jingle Bells, Jingle Bells, Jingle 
Bells ..

Agoraphobia --- I Heard the Bells on Christmas Day But Wouldn't Leave My 

Autistic --- Jingle Bell Rock and Rock and Rock and Rock ..

Senile Dementia --- Walking in a Winter Wonderland Miles From My House in My 
Slippers and Robe

Oppositional Defiant Disorder --- I Saw Mommy Kissing Santa Claus So I 
Burned Down the House

Social Anxiety Disorder --- Have Yourself a Merry Little Christmas While I 
Sit Here and Hyperventilate.

Gaylord Crushing Country?
Nashville Channel 5 news reported today that Gaylord threatened to fire the employee who leaked the plans to change WSM's format, in an executive meeting berating Gaylord staff. Gaylord plans to crush WSM's historic country music format and move to talk or sports format.

In the latest of a long string of policy changes, cancellations, and unlikely enterprises is Gaylord's format change for one of the largest and most popular country music stations in North America, WSM.
More » » »

We Support Independent Music Rights Online
Readers You May Copy This Letter To Elected Officials:
We Register Our SUPPORT FOR Independent Music Online and FOR Musicians, Songwriters, and Recording Artists RIGHT TO DISTRIBUTE THEIR MUSIC AND RECEIVE JUST PAYMENT FOR THEIR MUSIC ONLINE.


George McClure, President
McClure & Trowbridge Publishing Ltd
JIP Records - Artist Choice CD

Send Email:

Write / Telephone / FAX:
Zomba Records
Steve Jenkins, Managing Director 44.181.459.8899 165-167 Willesden High Rd. London, England NW10 2SG United Kingdom Phone: 44.181.459.8899 FAX: 44.181.451.3900

Virgin Records America
Ray Cooper, Co-President Ashley Newton, Co-President 338 N. Foothill Rd. Beverly Hills, CA 90210 Phone 310.278.1181 FAX: 310.278.6231

Walt Disney Records
Russ Bach, President 818.973.4313 500 S. Buena Vista St. Burbank, CA 91521 Phone: 818 973.4370 FAX: 818.953.9910

Sony Pictures
Howard Stringer, Chairman & CEO, SCA and President, SBE 10202 West Washington Blvd. Suite 3900 Culver City, CA 90232-3195

Time Warner - NY
75 Rockefeller Plaza New York, NY 10019 Phone - 212-484-8000 Fax - 212-275-3839 Gerald Levin

Time Warner - LA
Barry M. Meyer Chairman and Chief Executive Officer Warner Bros. Alan Horn, President and Chief Operating Officer Warner Bros. 4000 Warner Blvd. Burbank, CA 91522 Phone: (818) 954.6000

Twentieth Century Fox Film Corp
Peter Chernin, Chairman/CEO 10201 W. Pico Blvd. Los Angeles California 90064-2651 Phone: 310-369-1000

Universal City Studios Inc.
Ron Meyer 818.622.3801 100 Universal City Plaza Universal City, CA 91608 Phone: 818-777-1000.

RCA Records
Bob Jamieson, President 212.930.4200 1540 Broadway New York, NY 10036 Phone: 212.930.4000 FAX: 212.930.4479

MGM Studios
Metro-Goldwyn-Mayer Studios 2500 Broadway Street Santa Monica, CA 90404 Phone: 310.449.3810

Motown Records
Kedar Massenburg CEO/President 1755 Broadway 6th Floor New York, NY 10019 Phone: 212.373.0750 FAX: 212.489.9096

Paramount Pictures
Sherry Lansing, CEO 5555 Melrose Avenue Hollywood CA 90038-3197 Phone: (323) 956-5000

[c. 2001-present McClure & Trowbridge Publishing] [See Also: Trowbridge News Archives]
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PID: TrashCity Last Updated 03 f 2014
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